I’d never heard of NightBus before I stumbled on this New York Times story that discusses their experiments with something they call “three-way stereo.”
The song was recorded with very different but complementary arrangements for each audio channel. On the right side is a midtempo guitar version with male vocal; on the left is a more upbeat, electronic dance track with a female vocal. Put together, they form a third version that — unlike some songs built with such sonic experiments in mind — sounds seamless. (
Continue reading.)
Okay, I’m interested. Let’s give this a listen to the standard mix of the song first.
Now here’s the 3-way stereo version via the New York Times.
Pingback: A Journal of Musical ThingsCool Interactive "3-Way Stereo" Video from NightBus » A Journal of Musical Things