Much was been written about the economics of music and the value placed on creativity in the digital world. Perhaps it’s time to turn the discussion over to an actual philosopher. This is from TheConversation.com.
In New York City, a classical saxophone player I know was asked to play some live music for an event at a large, successful store that sells computers, phones, and other electronic equipment. The event was a product launch, and they wanted something innovative. The sax player was interested. The man from the store then added: “There’s no budget for this.” The musician was being asked to play, for free, surrounded by the machines that are destroying his profession.
Discussion has been going on for years now about the future of music under the impact of technology, especially computer downloads and streaming, and the subtraction of billions of dollars from every part of the music industry. I am offering some thoughts because it seems to me that a particular place is now being reached. The threat to professional music is becoming acute.
Why should you believe me? I am a philosopher, not a professional musician. But I am a close observer of professional music, through my spouse (who is a classical musician) and her colleagues. (Disclosure: because of this connection I do have a vested interest in the issue). Musical professions have been under stress for decades, but I think the present time is special. Quite a lot of musicians are just now leaving the field, or shifting away from full professionalism. The “day job” is more and more common, ideally a job around music, but not always so – hopefully a job that allows time to play.