A package showed up in the mailbox the other day: it was a five-disc set of The Conet Project, recordings of “numbers stations” and spy broadcasts that can be heard on shortwave radio. Unless you have the key, you have no idea what the broadcasts mean. One of the most famous numbers stations broadcast was the so-called Lincolnshire Poacher.
What the hell, huh? I’ve got FIVE CDS full of this weirdness. The Daily Beast goes deeper.
When I was 10 years old, I found a shortwave radio in a crumbling old leather trunk where we kept family photos and other memorabilia. As I spun the dial, tinny, modulating noises, like the song of an electronic slide whistle, emanated from the radio’s small speaker. Staticky cracks and pops competed for airtime. The sounds swished and swirled, unintelligible and unremarkable. But then, emerging through the clamor, was a voice.
I might have run right over it with the dial, but the voice’s rhythmic, steady pacing caught me up short. It wasn’t a deejay. Nor a commercial. And he wasn’t singing. He was just speaking. The same line, over and over again.
“7…6…7…4…3.” Pause. “7…6…7…4…3.”
I don’t remember if those were the exact numbers. But they were numbers. A repeated sequence which had no obvious meaning, and was entirely devoid of context. To find him here, amidst the screeches and howls of the shortwave frequencies, was like coming upon a man standing in the middle of a forest, talking out loud to no one.
How long had he been here? Who was he talking to? He had that officious tone of the recorded telephone operators who chastised you for dialing a wrong number. “Please hang up, check the number, and dial again.” And the same distracting static I’d heard in those messages filled the background. I wasn’t sure if he was speaking live, or if he’d been recorded and set loose to play into the air.
But there was an urgency to his tone. And a purpose. As if he were talking to me. Imploring. Listen. Hear me now. 7…6…7…4…3. Did you get that? 7…6…7…4…3.
I was simultaneously terrified and captivated.