The Economist Looks at Music Streaming and the Future of the Music Industry
Way back when, I didn’t get streaming. “Why would I just “rent” my music? I want to keep the music I love forever! I don’t want it all to disappear if I stop
Read MoreWay back when, I didn’t get streaming. “Why would I just “rent” my music? I want to keep the music I love forever! I don’t want it all to disappear if I stop
Read MoreFor some, spring break is coming to an end. In other parts of the country, it’s just about to start. Songza (the streaming music service for which I work) has these playlists suggestions
Read MoreOut of all the international streaming music services available, only two–Songza and Deezer–maintain offices in Canada. Songza’s team–of which I am a member as Head of Canadian Curation–is working hard to provide Canadian
Read MoreYou may have heard artists like Thom Yorke and David Byrne rage against the rise of streaming music services and how they’re hurting the music business. “Yes, of course, they’d wail like that,”
Read MoreA couple of years ago, no one outside of a few hardcore users of Pandora was interested in “renting” music by paying a a monthly fee to a streaming music service. Those who
Read MoreI have a new gig as Head Curator for Songza Canada. My job is twofold: (1) Help create playlists for the Songza universe with a distinct Canadian bent. (2) Supervise a stable of
Read MoreSongza, the streaming music service that has 2.7 monthly uniques in Canada, is expanding its Canadian operations–and ,er, I may have something to do with what’s going on. This appeared on the front
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