Okay, let’s go over this one more time. There are just twelve notes in the Western scale. The ways they can be combined to form pleasing sounds are finite in number. It’s a very big number, but there are only so many of them.
If we look at chords, combinations of three or single notes played simultaneously, that number is smaller still. And there are only so many ways in which chords can be played in a sequence that makes any sense to the ear and to the soul.
For example, there are dozens and dozens and dozens of hit songs with the same four chords at their root: E, B, C#, and A, often played exactly in that order.
If I haven’t lost you in this music theory yet, all these songs are constructed using those chords: “With or Without You” from U2, Green Day’s “When I Come Around,” “Bullet with Butterfly Wings” from Smashing Pumpkins and “Self-Esteem” from The Offspring. We can also add in “Don’t Stop Believin'” by Journey, “Barbie Girl” by Aqua, and John Denver’s “Take Me Home Country Roads.”
There’s even an entire Wikipedia page dedicated to what’s known as the “I-V-vi-IV progression.” It can be played in different keys. For example, “Bullet with Butterfly Wings” is in B-flat while “Self Esteem” is in C-major. The chords can be ordered differently, but the common DNA is there. This is just how music works in the west.
Now listen to me: Just because so many songs share the same notes and chords is not a sign that any of these artists lack in creativity. No one is breaking any rules. AND NO ONE IS RIPPING OFF ANYONE BECAUSE NO ONE CAN HAVE EXCLUSIVE OWNERSHIP OVER A CHORD PROGRESSION. Got that?
However, there is a subset of people–lawyers, mostly–who believe that they should be able to sue artists for plagiarism and copyright infringement if there’s any perceived similarity between two songs. “My client needs to be compensated for this theft!” Even the mere threat of a lawsuit and/or jury trial can be enough to scare up some settlement money.
This is insane. And the situation is getting worse and worse. I think it’s time we deconstructed what’s happening with these crazy lawsuits that threaten to cripple all of music.
Songs here on this show:
- Dagamba, You Stole My Song
- Beastie Boys, Sure Shot
- The Verve, Bittersweet Symphony
- Jet, Are you Gonna Be My Girl?
- Nine Inch Nails, 34 Ghosts IV
- Art of Noise, Moments in Love
Here’s Eric Wilhite’s playlist for the episode.
The Ongoing History of New Music can be heard on the following stations:
- 102.1 The Edge/Toronto – Sunday night at 7
- Live 88-5/Ottawa
- 107.5 Dave-FM/Kitchener
- FM96/London – Sunday night at 7, Monday night at 11
- Power 97/Winnipeg (Sunday nights at 11)
- Rock 97.7/Grand Prairie – Sunday nights at 6.
- Sonic 102.9/Edmonton
- The Zone/Victoria
- The Fox/Vancouver
- WAPS/WKTL The Summit/Arkon, Canton, Cleveland, Youngstown The show runs at 11 am Sunday. This, by the way, is a great option for American listeners who are prevented from listening to the show live because of geo-blocking,
We’re still looking for more affiliates in Calgary, Kamloops, Kelowna, Regina, Saskatoon, Brandon, Windsor, Montreal, Halifax, Charlottetown, Moncton, Fredericton, and St John’s and anywhere else with a transmitter. If you’re in any of those markets and you want the show, lemme know and I’ll see what I can do.
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