Ongoing History of New Music

The Ongoing History of New Music, encore presentation: The History of the 2010s, part 5

[Last summer repeat! Brand new episodes start next week! – AC]

For centuries, there’s been a dance between music and technology with each affecting the other in some way. Almost always, though, there’s no fighting progress. Music (and everything to do with it) ultimately bends to the needs and demands of new technology.

For example, when the Catholic Church built big, echo-y cathedrals in the Middle Ages, the sacred music in those buildings adapted to this new architecture so that it made use of the natural reverb, which is where the sound of religious chants came from.

Fast-forward a bunch of centuries. Thomas Edison’s talking machine, first demonstrated in 1877, and Emile Berliner’s gramophone, which debuted 10 years later, were the first machines able to capture sound. Each had a capacity of no more than three minutes at a time. But because of that recording limit, the standard length of a popular song became about three minutes. The music bent to the limitations of the medium…

I can give you other examples: radio changed the way music was consumed, marketed, and sold. Jukeboxes help spread the word on R&B, country, and rock’n’roll. They were so popular that a coin shortage in 1937 was blamed on the popularity of jukeboxes.

Electricity gave us amplifiers and the electric guitar. The microphone turned singers from people who could belt out tunes at high volumes into crooners who used the mic to create softer, more intimate performances.

Synthesizers were reviled by many musicians at first because one could make the sounds of an entire orchestra, threatening the livelihoods of professionals. But they were eventually accepted. Sampling was thought to be evil and illegal at first, but we worked that out. File-sharing of mp3s meant that no one would ever pay for music again, but now hundreds of millions of people are paying for streaming. There’s more, but you get what I’m talking about.

This music-and-tech balance continues today. And on episode five of our look at rock in the 2010s, we’re going to look at how that particular dance played out and the effect these interactions had on our music.

Songs heard on this show:

  • Hozier, Take Me to Church
  • Lana Del Rey, Blue Jeans
  • Imagine Dragos, Radioactive
  • Twenty One Pilots, Stressed Out (Tomasize mix)
  • Nirvana, Smells Like Teen Spirit
  • Oasis, Wonderwall
  • Foo Fighters, Rope
  • Evanescense, Bring Me to Life
  • Imagine Dragons, Believer

As usual, there’s a playlist from Eric Wilhite:

The Ongoing History of New Music can be heard on the following stations:

Alan Cross

is an internationally known broadcaster, interviewer, writer, consultant, blogger and speaker. In his 40+ years in the music business, Alan has interviewed the biggest names in rock, from David Bowie and U2 to Pearl Jam and the Foo Fighters. He’s also known as a musicologist and documentarian through programs like The Ongoing History of New Music.

Alan Cross has 38849 posts and counting. See all posts by Alan Cross

Let us know what you think!

This site uses Akismet to reduce spam. Learn how your comment data is processed.